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SW The "first run" Star Wars grosses do not include revenue from the special-edition releases; however, the figure does include revenue from the re-releases prior to the special editions.
At least eleven films have held the record of 'highest-grossing film' since The Birth of a Nation assumed the top spot in Both The Birth of a Nation and Gone with the Wind spent twenty-five consecutive years apiece as the highest-grosser, with films directed by Steven Spielberg holding the record on three occasions and James Cameron twice.
Spielberg became the first director to break his own record when Jurassic Park overtook E. Another film purported to have been the highest-grosser is the pornographic film Deep Throat.
The main argument against this figure is that it simply did not have a wide enough release to sustain the sort of sums that would be required for it to ultimately gross this amount.
The grosses from their original theatrical runs are included here along with totals from re-releases up to the point that they lost the record; therefore the total for The Birth of a Nation includes income from its reissues up to ; the total for Star Wars includes revenue from the late s and early s reissues but not from the Special Edition; the total for E.
The Godfather was re-released in after its success at the 45th Academy Awards , and Jaws was released again in , and their grosses here most likely include earnings from those releases.
The Sound of Music , The Godfather , Jaws , Jurassic Park and Titanic increased their earnings with further releases in , , , and respectively, but they are not included in the totals here because they had already conceded the record prior to being re-released.
Includes revenue from re-releases. If a film increased its gross through re-releases while holding the record, the year in which it recorded its highest gross is also noted in italics.
The methodology is based on the concept that films associated with things audiences are already familiar with can be more effectively marketed to them, and as such are known as "pre-sold" films within the industry.
A franchise is typically defined to be at least two works derived from a common intellectual property. Traditionally, the work has a tautological relationship with the property, but this is not a prerequisite.
An enduring staple of the franchise model is the concept of the crossover , which can be defined as "a story in which characters or concepts from two or more discrete texts or series of texts meet".
A shared universe is a particular type of crossover where a number of characters from a wide range of fictional works wind up sharing a fictional world.
List of highest-grossing films. Background shading indicates films playing in the week commencing 4 December in theaters around the world. See also: List of films by box office admissions.
Glossary: Distributor rentals. Box-office figures are reported in the form of gross or distributor rentals , the latter being especially true of older films.
Commonly mistaken for home video revenue, the rentals are the distributor's share of the film's theatrical revenue i. R Distributor rental. TBA To be ascertained.
See also: List of highest-grossing media franchises. Background shading indicates that at least one film in the series is playing in the week commencing 4 December in theaters around the world.
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Retrieved January 4, The Guardian. The Wrap. Retrieved April 7, Turner Classic Movies. Archived from the original on September 26, The Daily Telegraph.
Retrieved March 22, June 25, The Washington Post. Archived from the original on December 27, Guinness World Records.
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Southern Illinois University Press. Distributor rentals: It is also important to know and recognize the difference between the distributor's gross receipts and the gross rentals.
The term "rentals" refers to the aggregate amount of the film distributor's share of monies paid at theatre box offices computed on the basis of negotiated agreements between the distributor and the exhibitor.
Note that gross receipts refers to amounts actually received and from all markets and media, whereas gross rentals refers to amounts earned from theatrical exhibition only, regardless of whether received by the distributor.
Thus, gross receipts is the much broader term and includes distributor rentals. The issue of film rentals i. Again, however, such an average is based on widely divergent distributor rental ratios on individual films.
Focal Press ]. Marketing to moviegoers: a handbook of strategies used by major studios and independents 2 ed. Rentals are the distributors' share of the box office gross and typically set by a complex, two-part contract.
The American film industry. University of Wisconsin Press. Film Rentals as Percent of Volume of Business : To rekindle interest in the movies, Hollywood not only had to compete with television but also with other leisure-time activities Movies made a comeback by , but audiences had changed.
Moviegoing became a special event for most people, creating the phenomenon of the big picture. The Bible—in the Beginning It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years.
Retrieved May 12, Retrieved January 6, Nash Information Services. American Movie Classics. Retrieved January 5, The Rough Guide to Film Musicals.
Dorling Kindersley. This became its standard policy in , when the advent of war in Europe persuaded the American film industry temporarily, as it turned out that it should be wholly reliant on the home market for profitability.
Where specific rentals data are reported in Variety before this which tended to be only sporadically they were often for worldwide rather domestic performance.
This was also the case with other trade sources, such as Quigley ' s annual Motion Picture Almanac , which published its own all-time hits lists from the early s onward.
The subsequent confusion of domestic and worldwide figures, and of rental and box-office figures, has plagued many published accounts of Hollywood history sometimes including those in Variety itself , and we have attempted to be diligant in clarifying the differences between them.
Retrieved July 14, February 2, Retrieved September 15, Gone with the Wind includes initial release plus four rereleases ,, and since foreign rental revenues were available only cumulative through September 23, The Register-Guard.
Eugene, Oregon. Retrieved August 11, Griffiths and the banks: a case study in film financing". In Kerr, Paul ed.
This reflects the total amount paid to the distributor, not box-office gross. June 21, Cited in "Biggest Money Pictures".
Archived from the original on November 5, Retrieved June 25, Daily Record. Ellensburg, Washington. United Press International. July 21, It became the biggest hit of the sound era and the largest-grossing movie since The Birth of a Nation — until the release of independent producer David O.
Selznick's Gone with the Wind just two years later. Oxford University Press. Since it's rarely seen today, The Singing Fool is frequently confused with The Jazz Singer ; although besides Jolson and a pervasively maudlin air the two have little in common.
In the earlier film Jolson was inordinately attached to his mother and sang "Mammy"; here the fixation was on his young son, and "Sonny Boy" became an enormous hit.
Some sources give it as the highest gross of any film in its initial release prior to Gone with the Wind. Still, by the standards of the time it's an amazing amount.
American silent film. Da Capo Press. Putting The Birth of a Nation in fifth place is open to question, since it is generally conceded to be the top-grossing film of all time.
However, it has always been difficult to obtain reliable box-office figures for this film, and it may have been even more difficult in the mids.
After listing it until the mids as the top-grosser, though finding it impossible to quote exact figures, Variety , the trade journal, suddenly repudiated the claim but without giving specific details or reasons.
On the basis of the number of paid admissions, and continuous exhibition, its number one position seems justified.
The Columbus Dispatch. Retrieved January 31, Reading Eagle. Associated Press. GWTW had hitherto maintained its lead through several reissues and was soon to regain it through another in Toledo Blade.
Retrieved November 17, The Robesonian. The Free Lance—Star. The Palm Beach Post. Chicago Sun-Times. Archived from the original on June 6, Taylor Trade Publishing.
The prints were battered, but the studio believed one final fling for GWTW was possible. The film returned to movie theaters for the third time in the spring of and stayed in release until late When MGM finally pulled the film from exhibition, all worn-out prints were destroyed, and GWTW was at last declared out of circulation.
University Press of Kentucky. The Victoria Advocate. The StarPhoenix. January 16, Evening Independent. University of California Press. February 25, Retrieved August 13, Retrieved January 27, Retrieved December 4, Archived from the original on July 21, Retrieved July 21, Archived from the original on July 24, Retrieved July 24, August 10, November 12, Sylvester Stallone" PDF.
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Central Intelligence Agency. Archived from the original on February 15, Retrieved October 15, Archived from the original on October 23, Retrieved January 10, Archived from the original on November 3, Retrieved December 10, Archived from the original on July 16, Retrieved August 15, Archived from the original on April 5, Retrieved January 13, Archived from the original on April 1, Retrieved November 24, Archived from the original on November 26, Retrieved January 8, Retrieved January 28, Archived from the original on October 1, Retrieved December 23, Archived from the original on June 26, Retrieved March 26, Archived from the original on August 1, Retrieved January 3, Retrieved October 29, Archived from the original on July 1, Retrieved June 15, Production cost: Frankel, Daniel November 17, Retrieved August 27, Archived from the original on October 31, Retrieved May 21, Archived from the original on April 27, Retrieved January 12, Archived from the original on August 9, Retrieved September 3, Retrieved November 6, Retrieved March 30, Archived from the original on July 2, Retrieved September 5, Archived from the original on December 11, Retrieved March 25, Archived from the original on August 22, Retrieved October 28, Archived from the original on February 21, Retrieved January 2, Retrieved August 24, Retrieved February 10, Archived from the original on June 5, Retrieved November 27, Archived from the original on July 23, Retrieved January 18, Retrieved April 1, Archived from the original on March 3, Retrieved May 17, Archived from the original on November 2, Retrieved December 14, Archived from the original on December 3, Retrieved March 12, Retrieved March 21, Retrieved December 7, Retrieved March 17, Archived from the original on July 18, Archived from the original on December 1, Archived from the original on April 19, Retrieved November 2, Retrieved August 22, Retrieved February 28, Archived from the original on January 19, Retrieved April 5, Retrieved January 17, In Sandler, Kevin S.
Titanic: Anatomy of a Blockbuster. Rutgers University Press. Retrieved April 24, Archived from the original on December 25, Retrieved April 2, Archived from the original on July 19, Retrieved November 8, Retrieved July 17, Retrieved April 22, Archived from the original on April 2, Retrieved December 3, Archived from the original on February 8, Entertainment Wraps Record-Breaking Year".
Warner Bros. January 8, Retrieved June 7, Archived from the original on February 28, Retrieved February 24, The actual figure is hard to calculate because the film was distributed on a "states' rights" basis in which licenses to show the film were sold outright.
The Birth of a nation: D. Griffith, director. The Daytona Beach News-Journal. The great movie stars: the golden years. Crown Publishing Group.
Archived from the original on July 8, Way Down East : p. This figure was based on the amounts earned from its roadshow run, coupled with its playoff in the rest of the country's theaters.
In fact, if its foreign grosses followed the usual 40 percent of domestic returns, the film would have lost money. The parade's gone by.
Douglas Fairbanks. July 6, Retrieved July 12, DeMille's Hollywood. The Ten Commandments The Sign of the Cross.
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The Singing Fool : p. Twentieth Century-Fox: a corporate and financial history. Filmmakers series. Sunny Side Up : p. Ideology and Cinematography in Hollywood, — Palgrave Macmillan.
Volume 5 of History of the American Cinema. Cavalcade : p. A personality-centered musical, Whoopee! Hughes did not have the "Midas touch" the trade press so often attributed to him.
The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie.
Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety' s earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker.
Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture. Retrieved July 4, Chaplin: genius of the cinema.
Abrams Books. International Motion Picture Almanac —38 : — University of Exeter Press. Historical Journal of Film Radio and Television.
The reaction to West's first major film, however, was not exclusively negative. The Merry Widow : p. San Francisco : p. Frank Capra: The Catastrophe of Success.
University Press of Mississippi. Claudette Colbert: She Walked in Beauty. Scarecrow Press. Wilhelm, Henry Gilmer; Brower, Carol Preservation Pub.
Disney had bet more than his company on the success of Snow White. Focus Features. Archived from the original on September 13, Mark Historical Journal of Film, Radio and Television.
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Boom and Bust: American Cinema in the s. Volume 6 of History of the American Cinema. Boom Town was the biggest moneymaker of and one of the top films of the decade.
Manchester University Press. Mrs Miniver was a phenomenon. It was the most popular film of the year from any studio in both North America and Britain, and its foreign earnings were three times higher than those of any other MGM film released in the —42 season.
Random Harvest was also the most popular film of the year in Britain, where it proved to be even more popular than Britain's most acclaimed war film, In Which We Serve.
Miniver : Burns, Douglas , Mrs. Miniver , p. Yankee Doodle Dandy : p. Retrieved June 24, Retrieved August 29, Part 3.
Retrieved July 9, Duke University Press. Leading the pack of postwar sex hygiene films was Mom and Dad , which would become not only the most successful sex hygiene film in history but the biggest pre exploitation film of any kind.
Mary's , p. Retrieved July 10, Walt Disney: the biography. Aurum Press. Retrieved July 25, Continuum International Publishing Group. Retrieved November 18, Archived from the original on December 28, January 19, Work in Progress.
Pennsylvania State University. Cinderella revived its fortunes. Mannix ledger. Transforming the Screen, — Volume 7 of History of the American Cinema.
Quo Vadis : p. It was obvious to Hollywood that the public was ready for a new form of motion picture entertainment. January 13, Retrieved September 12, Retrieved January 9, Retrieved July 27, Portsmouth Daily Times.
Portsmouth, Ohio. Retrieved July 7, For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show.
General release began at normal prices in and continued until the end of the following year, when the film was temporarily withdrawn the first of several reissues came in Volume 14 of Hollywood classics.
January 18, Daily Variety. Retrieved August 23, Licence to thrill: a cultural history of the James Bond films. Secaucus, N. Retrieved August 18, Their participation was presumably added to the budget.
October 18, December 31, Retrieved March 14, Serge; Romanowski, William D. Risky Business: Rock in Film. Transaction Publishers. The Graduate : p.
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